Sans Superellipse Byruh 2 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Coign' by Colophon Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, editorial display, condensed, modern, poster-like, urban, assertive, space-saving, modernization, display impact, vertical emphasis, monoline, elongated, compact spacing, rounded corners, rectangular rounds.
A tightly condensed sans with extremely elongated proportions and a consistent, monoline stroke. Curves are built from rounded-rectangle (superelliptical) geometry, giving bowls and counters a tall, capsule-like feel rather than circular forms. Terminals are clean and mostly squared-off with softened corners, and the overall rhythm is strongly vertical with minimal horizontal emphasis. The lowercase is drawn large relative to capitals, keeping word shapes tall and continuous, while numerals follow the same narrow, columnar construction.
Best suited to headlines and short passages where height and compression help fit more characters per line without losing presence. It works well for posters, branding marks, packaging callouts, and editorial display where a tall, contemporary voice is desired. For longer body copy, it will typically perform better at larger sizes with generous line spacing.
The font projects a sleek, contemporary attitude with a strong vertical drive that reads as confident and attention-grabbing. Its streamlined, architectural shapes suggest a display-forward, metropolitan tone—more stylized than neutral, and more expressive than purely utilitarian.
The design appears intended to maximize impact in limited horizontal space while maintaining a clean, modern sans structure. By using superelliptical rounds and consistent stroke weight, it aims for a distinctive, stylized texture that remains orderly and legible in display contexts.
In text settings the condensed width and tall counters create a distinctive texture that can feel dense at small sizes, especially where narrow apertures and tight interior spaces stack in sequences. The superelliptical rounding keeps the look friendly enough to avoid feeling purely industrial, while still maintaining a crisp, engineered silhouette.