Sans Normal Byrop 15 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Frutiger Next Paneuropean', 'Neue Frutiger', 'Neue Frutiger Arabic', 'Neue Frutiger Cyrillic', 'Neue Frutiger Georgian', 'Neue Frutiger Hebrew', 'Neue Frutiger Paneuropean', 'Neue Frutiger Thai', and 'Neue Frutiger Vietnamese' by Linotype (names referenced only for comparison).
Keywords: ui text, body text, product design, presentations, signage, clean, modern, neutral, friendly, technical, clarity, versatility, modern utility, neutral tone, screen readability, geometric, monoline, open apertures, rounded terminals, even rhythm.
A clean, monoline sans with geometric construction and smooth, circular curves. Strokes remain even across straight and curved segments, with rounded joins and gently softened terminals rather than sharp calligraphic endings. Proportions feel balanced and contemporary: caps are simple and restrained, while the lowercase shows clear differentiation (a single‑storey “a,” open “e,” and a simple, straight “t”). Counters are generous and apertures stay open, giving the face an airy, legible texture. Numerals are straightforward and consistent with the letterforms, with clear, modern shapes and minimal ornament.
Works well for interface copy, product and web typography, dashboards, and documentation where clarity and a steady rhythm are important. Its open counters and simple shapes also suit headlines, presentations, and clean signage at small-to-medium sizes.
The overall tone is neutral and modern, leaning friendly due to the rounded geometry and open forms. It reads as unobtrusive and practical—designed to stay out of the way—while still feeling approachable rather than sterile.
The design appears intended as a versatile, general-purpose sans optimized for clear reading and broad applicability. Its geometric skeleton and restrained detailing suggest a focus on contemporary usability—clean forms, consistent stroke logic, and reliable legibility across a range of settings.
The rhythm in text is even and calm, with clean spacing and minimal quirks. Diagonal forms (such as in V/W/X/Y) keep a crisp, engineered feel, while curved letters (C/G/O/Q) emphasize the typeface’s circular, geometric backbone.