Sans Superellipse Eflav 1 is a light, normal width, low contrast, italic, normal x-height font visually similar to 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: ui, branding, headlines, signage, editorial, modern, clean, technical, sleek, approachable, contemporary ui, geometric clarity, softened tech, efficient readability, rounded, monoline, oblique, soft corners, open apertures.
A streamlined oblique sans with rounded-rectangle construction throughout. Strokes are monoline and evenly weighted, with gently softened corners and squared terminals that read as slightly radiused rather than sharp. Curves lean toward superelliptical forms, producing compact, controlled bowls in letters like C, G, O, and S, and a consistent, engineered rhythm across the alphabet. Lowercase forms are simple and readable with open apertures; the single-storey a and g and the looped descender on g reinforce a contemporary, UI-friendly drawing. Numerals follow the same rounded-corner logic, with clear, geometric silhouettes and a slashed zero for disambiguation.
Well-suited to interface typography, product branding, and contemporary editorial layouts where a clean, slightly dynamic voice is needed. It should also perform well for signage and short-to-medium headlines thanks to its clear geometry, open forms, and distinctive numeral set.
The overall tone is modern and efficient, with a quiet tech sensibility softened by rounded corners. Its oblique stance adds motion and a mildly sporty feel without becoming expressive or calligraphic, keeping the voice professional and restrained.
The font appears designed to provide a modern oblique companion for geometric sans systems, emphasizing smooth superelliptical curves, consistent corner rounding, and unambiguous characters. The intention seems to balance technical precision with approachable softness for digital-first and brand-forward applications.
The design keeps spacing and shapes disciplined, favoring smooth, continuous curves and consistent corner radii. Uppercase letters maintain a clean, geometric presence, while the lowercase retains straightforward forms that prioritize clarity in running text. The italic is constructed rather than cursive, preserving a mechanical, contemporary character.