Sans Superellipse Agmaj 4 is a regular weight, very narrow, low contrast, upright, normal x-height font visually similar to 'Geogrotesque Condensed Series' by Emtype Foundry, 'Grillmaster' by FontMesa, 'Bellfort' by GRIN3 (Nowak), 'Classic Grotesque' by Monotype, 'DIN 2014' by ParaType, and 'Hype vol 3' by Positype (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, ui labels, condensed, modern, efficient, industrial, neutral, space saving, modern utility, clean branding, compact display, monolinear, rounded, clean, tall, compact.
A condensed sans with tall proportions, monolinear strokes, and softly rounded corners throughout. Curves are built from rounded-rectangle geometry, giving bowls and counters a squared-off smoothness rather than true circularity. Terminals are mostly straight and clean, with minimal flare, and the overall rhythm is tight and vertical, producing compact word shapes. Numerals and lowercase share the same narrow stance, with open apertures and simple, utilitarian forms.
Best suited to headlines, subheads, posters, and packaging where horizontal space is limited and a tall, compact voice is useful. It can also work well for signage and UI labels that benefit from clear, simplified shapes and a controlled, modern texture.
The font feels modern and pragmatic, with an efficient, space-saving presence. Its rounded-rectilinear curves soften the otherwise industrial, functional tone, keeping it approachable while still looking technical and controlled. Overall it reads as neutral and contemporary rather than expressive or decorative.
The design appears intended to deliver a contemporary condensed sans optimized for space efficiency, using rounded-rectangle construction to keep a friendly edge while maintaining a disciplined, technical silhouette.
The condensed width creates strong vertical emphasis and makes spacing decisions highly visible; in longer text it produces a dense, column-like texture. Rounded corners help prevent the narrow strokes from feeling brittle, especially at larger sizes where the geometric construction becomes more apparent.