Sans Superellipse Agrey 1 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Quiel' by Ardyanatypes, 'Neumatic Gothic Round' by Arkitype, 'Milky Bar' by Malgorzata Bartosik, 'Hype vol 2' by Positype, 'Agharti' and 'Kurdis' by That That Creative, and 'Ggx89' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, condensed, confident, modern, editorial, space saving, attention grabbing, modern utility, signage feel, monoline, squared rounds, compact, punchy, high impact.
A compact, monoline sans with strongly condensed proportions and rounded-rectangle (superellipse) curves throughout. Strokes are heavy and even, with tight counters and narrow apertures that keep the overall texture dense and vertical. Curved letters like C, O, and S feel squared-off and controlled rather than fully circular, while joins and terminals are softly rounded, avoiding sharp corners. The lowercase maintains a straightforward, utilitarian build with short extenders and a sturdy, upright rhythm; figures follow the same condensed, blocky logic for a unified set.
Best suited to headlines and short display text where high impact and space economy matter—posters, mastheads, packaging, and bold brand lockups. It can also work for signage-style applications where a compact, legible silhouette is needed at larger sizes.
The overall tone is assertive and efficient, with a utilitarian, industrial confidence. Its compressed geometry and squared-round curves evoke contemporary signage and editorial display typography—direct, no-nonsense, and designed to hold attention at a glance.
The design appears intended to deliver maximum visual impact in minimal horizontal space, using a consistent monoline stroke and superelliptical rounding to keep forms bold yet controlled. It aims for a modern, engineered look that stays readable and cohesive across letters and numerals in display settings.
The heavy weight combined with narrow set creates a strong color on the page, making spacing and counter shapes a dominant part of the texture. The rounded corners temper the density, giving it a slightly friendly finish while still reading as disciplined and engineered.