Sans Superellipse Humas 1 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Faculty' by Device, 'Muller Next' by Fontfabric, 'Allotrope' by Kostic, 'Akko' by Linotype, and 'Amsi Pro' and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, loud, confident, playful, retro, industrial, maximum impact, strong silhouette, display clarity, geometric branding, blocky, rounded, compact, chunky, punchy.
A heavy, block-forward sans with rounded-rectangle curves and largely uniform stroke thickness. Counters are compact and openings are tight, producing dense silhouettes and a strong, poster-like rhythm. Curved letters (C, G, O, S) read as squarish superellipses, while straight-sided forms keep crisp, right-angled terminals. The lowercase is sturdy and simplified with a large x-height and minimal contrast, and the figures match the same broad, solid construction for consistent color in text and numerals.
Best suited for display work such as headlines, posters, product packaging, signage, and bold brand marks where high visual weight is an advantage. It can also work for short UI labels or badges when ample size and spacing are available, but its dense counters suggest avoiding long passages at small sizes.
The overall tone is bold and assertive, with a slightly playful, retro-industrial flavor driven by its chunky geometry and softened corners. It feels attention-seeking and energetic rather than delicate or formal, making it well suited to messaging that needs immediacy and impact.
The design appears intended to deliver maximum impact with simplified, geometric letterforms and softened-corner curves, balancing a utilitarian blockiness with approachable rounding. Its consistent, compact construction suggests a focus on strong silhouette recognition and high-contrast presence against backgrounds.
Spacing appears relatively tight, and the weight distribution makes internal whitespace small, which increases perceived darkness at smaller sizes. The squarish curvature and blunt terminals give the face a compact, sturdy presence that remains highly recognizable in short words and all-caps settings.