Sans Superellipse Ogmip 10 is a very bold, normal width, monoline, upright, normal x-height font.
Keywords: logos, headlines, posters, packaging, signage, techy, playful, futuristic, chunky, friendly, impact, modernity, modularity, approachability, branding, rounded, square-ish, geometric, compact, stencil-like.
A heavy, rounded-rectangle sans with squared curves and consistently softened corners. Strokes are uniform and dense, with compact counters and short apertures that create a sturdy, blocky texture. Many forms lean on superelliptical bowls and straight-sided curves, producing a tightly engineered rhythm; joins and terminals often feel clipped or notched, giving several letters a subtly modular, constructed look. Uppercase shapes are broad and stable, while the lowercase keeps a compact, utilitarian profile that holds together well at large sizes.
Best suited to display use where its dense shapes and rounded-square construction can be appreciated: logos, esports or gaming identity, tech and app headlines, packaging titles, and bold signage. It can also work for short UI labels or buttons when sizes are large enough to keep counters from filling in.
The overall tone is bold and game-like, balancing friendliness from the rounded corners with a mechanical, futuristic edge. Its chunky geometry reads confident and punchy, suggesting digital interfaces, sci‑fi branding, and energetic display settings rather than quiet body text.
The design appears intended to deliver a modern superelliptical feel—part industrial, part playful—by combining uniform heavy strokes with rounded-square skeletons and occasional notched details. The goal seems to be strong impact and a distinctive, system-like voice while maintaining approachable softness through generous corner rounding.
The numerals follow the same rounded-rect geometry and appear designed for visual consistency rather than delicate differentiation, reinforcing a strong, uniform word-image. The sample text shows a dark, compact color with tight internal spaces, so spacing and line breaks benefit from generous leading in longer settings.