Sans Faceted Tyfe 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Archimoto V01' and 'Nue Archimoto' by Owl king project (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, sports branding, industrial, techno, arcade, military, sports, high impact, machine aesthetic, modular consistency, display clarity, octagonal, angular, chamfered, geometric, blocky.
A heavy, geometric sans built from straight strokes and sharply chamfered corners, replacing curves with small planar facets. Forms are largely rectangular and octagonal in silhouette, with consistent stroke thickness and crisp terminals that create a cut-metal look. Counters are compact and angular (notably in O, Q, 8, 9), and diagonals appear selectively where structure demands it (K, M, N, W), keeping a rigid, engineered rhythm. The lowercase follows the same modular construction with sturdy, simplified bowls and short apertures, producing a cohesive, blocklike texture in text.
Best suited to titles, branding marks, packaging callouts, esports and sports graphics, and UI labels where a hard-edged, technical aesthetic is desired. It performs particularly well in high-contrast applications (light on dark or vice versa) and in short bursts of text such as headers, badges, and navigational elements.
The overall tone feels utilitarian and machine-made, evoking stenciled signage, sci‑fi interfaces, and retro arcade styling. Its faceted geometry reads assertive and functional, with a slightly tactical, no-nonsense attitude suited to bold messaging and system-like labels.
The design appears intended to deliver a rugged, faceted alternative to round geometric sans forms—prioritizing impact and an engineered, modular feel. By standardizing strokes and substituting curves with chamfers, it aims for a cohesive “machined” voice that stays consistent across uppercase, lowercase, and numerals.
At display sizes the chamfers and angular counters become a defining feature, while at smaller sizes the tight interior spaces and squared joins can make the texture feel dense. Letterforms lean toward compact, high-impact shapes rather than open, airy readability, emphasizing silhouette recognition and a strong horizontal/vertical grid.