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Free for Commercial Use

Distressed Epdip 4 is a bold, narrow, high contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Floki' by LetterMaker, and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: posters, packaging, headlines, labels, signage, rugged, vintage, handmade, playful, gritty, aged print, hand-printed, retro signage, tactile texture, display impact, rough, textured, inked, irregular, condensed.


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A compact, heavy display face with slightly condensed proportions and mostly upright construction. Strokes are thick and simplified, with rounded corners and blunt terminals that give the letters a sturdy, poster-like silhouette. A consistent worn texture appears throughout the glyphs—small nicks, speckling, and uneven ink coverage—creating a rough-printed look while keeping counters relatively open. Widths vary subtly by character, and the overall rhythm feels hand-pressed rather than mechanically uniform.

Best suited for display applications where texture is an asset: posters, packaging, product labels, and headline treatment for editorial or branding. It can also work for short signage phrases and pull quotes when you want a printed-by-hand feel, but the distressed interior detail makes it less ideal for small UI or long-form reading.

The texture and chunky forms suggest a gritty, tactile tone—like ink on porous paper, rubber-stamp lettering, or aged signage. It reads as approachable and slightly playful despite the rugged surface, lending an informal, throwback character that feels crafted and imperfect in an intentional way.

Likely designed to deliver a bold, condensed headline voice with a consistent worn-print overlay, evoking vintage production methods and imperfect ink transfer. The goal appears to be strong readability at display sizes while adding instant character through surface distress and subtle irregularity.

The distressed pattern is fairly even across caps, lowercase, and numerals, so the “weathered” effect remains coherent in longer text samples. Capitals have a straightforward, blocky presence, while the lowercase keeps a simple, sturdy structure that stays legible at display sizes despite the surface noise.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸