Print Bimet 2 is a very light, narrow, medium contrast, upright, short x-height font.
Keywords: posters, packaging, children’s, invitations, headlines, friendly, casual, playful, handmade, airy, handwritten warmth, casual display, humanized text, approachable tone, monoline, rounded, open forms, loose rhythm, whimsical.
A light, hand-drawn print style with mostly monoline strokes and gently rounded terminals. Letterforms are tall and narrow with generous counters and open apertures, giving the page a clear, airy texture. Curves are slightly uneven and organic, with subtle wobble in stems and bowls that reinforces the handmade construction. Spacing feels loosely set and variable, contributing to an informal, conversational rhythm across lines of text.
Works well for short-to-medium text where a personable, handwritten feel is desirable—such as posters, product packaging, greeting cards, invitations, classroom materials, and social graphics. It’s especially effective in headlines, labels, and pull quotes where its tall, open forms can read clearly while adding warmth and informality.
The tone is casual and approachable, like neat handwriting on a note or poster. Its soft curves and unforced proportions read as friendly and slightly whimsical, prioritizing personality over strict geometric precision. Overall, it conveys a lighthearted, human presence without becoming overly decorative.
The design appears intended to capture a tidy, hand-printed look with enough consistency for typesetting while preserving natural pen irregularities. It aims for legibility and friendliness, offering a simple, everyday handwriting voice suitable for casual branding and expressive display use.
Uppercase forms are simple and readable with minimal stylization, while lowercase letters introduce more personality through looped descenders and varied entry/exit strokes. Numerals follow the same drawn-with-a-pen logic, with open, rounded shapes and occasional asymmetry. The font maintains consistent stroke weight across characters, so texture is driven more by outline irregularity and spacing than by contrast.