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Free for Commercial Use

Sans Superellipse Hidig 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hudson NY' by Andrew Footit, 'Basketball' by Evo Studio, 'Chamferwood JNL' by Jeff Levine, and 'Block Capitals' by K-Type (names referenced only for comparison).

Keywords: headlines, posters, packaging, sports branding, signage, industrial, sporty, assertive, compact, utilitarian, impact, ruggedness, modernity, clarity, branding, rounded corners, rectilinear, blocky, stencil-like, square counters.


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A heavy, blocky sans with rounded-rectangle construction and tight, compact bowls. Strokes are uniformly thick with minimal modulation, and corners are consistently softened, producing a superelliptic, machined look. Counters tend toward squarish shapes and apertures are kept narrow, emphasizing a dense texture in words. The lowercase has sturdy, simplified forms (single-storey a and g), while numerals and capitals keep a squared, engineered geometry; several joins and terminals read as cut or notched, reinforcing a technical, stamped feel.

Best suited for headlines, posters, logos, and packaging where a strong, compact word shape is desirable. It also fits signage and labels—especially in industrial, athletic, or tech-adjacent contexts—where bold presence and simplified forms help messages land quickly.

The overall tone is tough and pragmatic, with a sporty, industrial confidence. Its dense shapes and rounded corners balance friendliness with a no-nonsense, engineered attitude, evoking equipment labeling, team branding, and rugged product typography.

The design appears intended to deliver maximum impact through simplified, rounded-rect geometry and tightly controlled spacing, creating a sturdy, modern voice that remains legible at display sizes while projecting a manufactured, performance-oriented character.

The rhythm is compact and chunky, with strong vertical emphasis and consistent internal rounding across letters and figures. In longer text, the narrow apertures and squared counters create a dark, unified color that favors short, emphatic settings over airy reading.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸