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Solid Jago 4 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Klik' by Fenotype, 'Headlined Solid' by HyperFluro, 'Eckhardt Headline JNL' by Jeff Levine, and 'Fort Yukon' by Larin Type Co (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, stickers, playful, posterish, retro, chunky, quirky, maximum impact, compact display, novelty texture, retro flavor, logo-ready, rounded, blocky, ink-trap, soft corners, condensed.


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A heavy, condensed display face built from thick, almost monoline strokes with softened corners and frequent wedge-like cuts. Many counters are reduced or fully collapsed, creating solid interior masses and a stencil-meets-cutout feel, while remaining openings (as in C, G, S, e) are tight and teardrop-like. Vertical stems dominate, bowls read as compact capsules, and joins often show triangular notches that sharpen the rhythm and improve differentiation at large sizes. Numerals and capitals are similarly dense and upright, producing a compact, high-impact texture across lines.

Best for large-size display uses where impact and silhouette are primary—posters, headlines, logos/wordmarks, packaging fronts, and punchy social graphics. It can also work for labels and signage where a compact, high-contrast-in-mass look is desired, especially with generous tracking and line spacing.

The overall tone is bold and mischievous, with a slightly vintage showcard energy. The filled-in interiors and carved notches add a toy-like, theatrical character that feels attention-grabbing rather than formal or technical.

The design appears intended to deliver maximum presence in a condensed footprint, using collapsed counters and carved wedge details to create a distinctive novelty texture. It prioritizes graphic punch and recognizability over conventional text readability, aiming for a playful, retro-leaning display voice.

The narrow set width and solidified interiors create strong color in blocks of text, but the reduced counters make it better suited to short strings than prolonged reading. The distinctive notching and asymmetric cut-ins provide recognizable silhouettes that help separate otherwise similar heavy shapes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸