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Free for Commercial Use

Solid Abba 16 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Skate' by DearType, 'MVB Diazo' by MVB, 'Peperoncino Sans' by Resistenza, and 'Merchanto' by Type Juice (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, event promos, playful, chunky, retro, toylike, bold, impact, quirk, display, graphic, rounded, blobby, stencil-like, soft corners, geometric.


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A heavy, compact display face built from simple geometric masses, with many bowls and counters collapsed into solid shapes. Curves read as near-circular blobs and terminals are smoothly rounded, while occasional notches and cut-ins carve out letter identities. The rhythm is dense and punchy, with tight internal spacing, simplified joins, and a mix of straight-sided stems and bulbous curves that keeps the silhouette lively. Numerals and lowercase forms follow the same solid, cutout logic, producing a highly graphic, poster-oriented texture rather than conventional text color.

Best suited to big, high-impact applications such as posters, headlines, brand marks, packaging, and short callouts where its solid silhouettes can carry the message. It works well for playful campaigns, retro-inspired graphics, and attention cues in displays, but is less appropriate for long-form reading or small UI labels due to the reduced internal detail.

The tone is upbeat and attention-grabbing, leaning toward a playful retro signage feel. Its chunky, filled-in forms suggest humor and informality, with a slightly quirky, crafted personality that feels more like a graphic motif than neutral typography.

The design appears intended to maximize visual weight and immediacy through simplified, filled-in letterforms and rounded geometry. By trading interior counter detail for bold silhouettes and distinctive cut-ins, it aims to function as a graphic display voice for memorable titles and branding.

Because many interior openings are filled, differentiation relies on exterior contours and small incisions; this increases impact at large sizes but can reduce character clarity when set small or tightly tracked. The overall look is strongly shape-driven, so it benefits from generous spacing and simple layouts where its silhouettes can read cleanly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸