Sans Other Urki 1 is a light, narrow, monoline, upright, normal x-height font.
Keywords: sci-fi ui, posters, headlines, branding, labels, tech, futuristic, minimal, modular, utilitarian, futurist display, grid construction, tech branding, schematic feel, angular, rectilinear, squared, geometric, stencil-like.
A rectilinear sans built from straight strokes and sharp corners, with squared counters and a consistent, diagrammatic construction. Curves are largely replaced by right angles and clipped diagonals, giving round letters like O, Q, and G an octagonal/squared feel. Terminals are clean and flat, with occasional open corners and segmented joins that create a slightly stencil-like, engineered look. Spacing is orderly and the overall rhythm is compact and grid-friendly, with simplified forms and clear differentiation in the numerals.
Best suited to short-form display settings where its geometric construction can be appreciated: sci‑fi themed titles, UI mockups, tech branding, packaging labels, and wayfinding-style captions. It can work for medium-length text at comfortable sizes, especially in clean layouts where the squared counters and angular joins remain legible.
The tone reads as technical and futuristic, evoking display typography for interfaces, sci‑fi graphics, and schematic labeling. Its restrained, modular geometry feels functional and system-oriented rather than expressive or handwritten, projecting a cool, mechanical confidence.
The design appears intended to translate a grid-based, architectural drawing language into an alphabet: straight segments, squared bowls, and systematic diagonals that prioritize a cohesive, engineered silhouette. The result is an atypical sans meant to signal technology and modernity through deliberately constructed letterforms rather than conventional grotesk proportions.
Distinctive details include a very square O/0 family, an angular S, a V/W built from steep diagonals, and single-storey lowercase forms that stay close to the same geometric logic as the capitals. The thin stroke presence and open internal spaces keep it crisp, but the segmented construction gives it a deliberately stylized, constructed personality.