Sans Other Lemut 3 is a very bold, normal width, low contrast, italic, normal x-height font.
Keywords: headlines, posters, sports branding, logotypes, packaging, sporty, retro, energetic, dynamic, loud, impact, motion, dimensionality, attention, retro styling, oblique, slanted, layered, inline, shadowed.
A heavy, right-slanted sans with compact, rounded forms and a strong forward-leaning rhythm. Many capitals use a layered construction: a solid outer body with interior cut-ins and repeated diagonal channels that read like inline striping or a built-in shadow. Curves are broadly rounded (notably in C, G, O, Q, S), while strokes stay largely monolinear; terminals are blunt and tightly finished. Lowercase is simpler and more text-like, pairing thick bowls with short, sturdy joins, and the overall spacing reads tight and punchy, favoring dense word shapes.
Best suited for short, high-impact settings such as headlines, posters, sports or event branding, and bold logotype work where the slant and striped interiors can read clearly. It also works well on packaging or signage that benefits from a retro, high-energy voice, but is less appropriate for long passages at small sizes due to the dense weight and internal detailing.
The font communicates motion and impact, with a distinctly retro display feel reminiscent of athletic lettering and fast-paced signage. The diagonal striping and built-in depth cues add a showy, engineered attitude that feels bold, promotional, and energetic.
The design appears intended to deliver a fast, assertive display voice by combining a heavy oblique skeleton with inline striping and shadow-like channels that imply speed and dimensionality. Its construction prioritizes instant recognition and attitude over neutrality, using decorative capitals and attention-forward numerals to anchor branding and promotional typography.
The uppercase set is more decorative than the lowercase, creating a noticeable hierarchy where caps become the main stylistic feature. Numerals mix solid and outlined/inline treatments, reinforcing the layered, dimensional theme and making figures feel attention-grabbing in headlines.