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Free for Commercial Use

Sans Other Nola 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Knicknack' by Great Scott, 'Evolved' by Hemphill Type, 'Double Bubble 3 D' by Hipfonts, and 'Grold Rounded' by Typesketchbook (names referenced only for comparison).

Keywords: posters, kids branding, packaging, stickers, titles, playful, cartoony, chunky, friendly, quirky, fun display, handmade feel, high impact, friendly tone, rounded, bubbly, hand-cut, soft, irregular.


Free for commercial use
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A heavy, rounded sans with chunky, compact shapes and softly blunted terminals. The outlines feel slightly irregular, with subtle wobble and uneven curvature that reads like hand-cut lettering rather than strictly geometric construction. Counters are small and often asymmetrical, and joins create bulbous shoulders and notched intersections that add character. Overall spacing feels lively, with letterforms that vary in footprint and create an intentionally uneven rhythm while remaining clearly legible at display sizes.

Well-suited for posters, playful branding, packaging, and headline applications where bold shapes and a friendly personality are desirable. It works particularly well in short phrases, logos, and title treatments that benefit from a chunky, high-impact silhouette. For readability, it’s most effective at medium-to-large sizes with generous line spacing.

The tone is upbeat and comedic, leaning toward children’s media, snacks, and lighthearted entertainment. Its bouncy silhouettes and softened corners give it an approachable, non-technical voice that feels casual and spontaneous. The slight roughness in contour adds a crafty, homemade warmth rather than a polished corporate feel.

The design appears intended to deliver maximum visual impact with a fun, informal personality—prioritizing soft, rounded forms and a hand-made irregularity over strict typographic precision. It aims to create a distinctive, approachable display voice that stands out immediately in branding and promotional contexts.

Uppercase forms are broad and blocky with simplified geometry, while lowercase maintains the same weight and softness, producing a cohesive, poster-like texture. Numerals match the same inflated, cut-paper feel, with especially rounded bowls and minimal interior space. The font’s strong black mass makes it best as a headline or short-text face rather than for dense paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸