Sans Superellipse Alrij 3 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, headlines, signage, tech branding, posters, futuristic, tech, sci‑fi, retro‑digital, industrial, geometric coherence, tech aesthetic, display clarity, systematic forms, rounded corners, squared curves, geometric, modular, clean.
A geometric sans built from squared bowls and superellipse-like curves, with consistently rounded corners and a monoline stroke. Forms lean on straight verticals and horizontals with softened terminals, creating a modular, rounded-rectangle skeleton across the alphabet. Counters are generally open and rectilinear, with broad, even spacing and a crisp silhouette that stays stable at display sizes. The lowercase mixes compact, engineered shapes (notably in a, e, s) with tall, simplified stems, while figures follow the same rounded-square logic for a coherent alphanumeric texture.
This font suits interface labels, dashboards, and product UI where a clean, engineered voice is desired, as well as display typography for tech branding, packaging, and event posters. It also works well for signage and wayfinding in modern or industrial contexts where a distinctive geometric identity is beneficial.
The overall tone feels technical and forward-looking, with a distinct retro-digital flavor reminiscent of interface lettering and sci‑fi labeling. Rounded corners keep the mood friendly and approachable, but the squared geometry maintains a precise, engineered character.
The design appears intended to deliver a cohesive, modern geometric look built from rounded-rectilinear primitives, prioritizing a strong silhouette and consistent rhythm. Its simplified construction suggests an aim for clarity and a recognizable techno aesthetic in short texts and headlines.
Diagonal strokes (such as in V, W, X, Y, and k) introduce dynamic angles that contrast with the predominantly orthogonal construction, helping text avoid looking overly rigid. The design’s reliance on rounded rectangles produces strong stylistic unity, especially noticeable in O/Q/0 and in the squared, open apertures of C, G, and S.