Script Otbuf 2 is a regular weight, narrow, medium contrast, upright, short x-height font.
Keywords: branding, headlines, packaging, invitations, posters, playful, whimsical, vintage, folksy, friendly, handmade charm, expressive display, retro warmth, friendly tone, decorative caps, brushy, bouncy, calligraphic, looping, informal.
A lively, hand-drawn script with a brush-pen feel, combining rounded bowls with tapered terminals and occasional teardrop-like stroke endings. Letterforms show a gently bouncy baseline rhythm and varied internal spacing, giving words an organic, written-by-hand cadence even though many capitals are constructed like embellished print forms. Uppercase characters feature prominent entry/exit strokes and modest swashes, while lowercase shapes stay compact with tight counters and simplified joins that keep the texture dark and cohesive. Numerals follow the same calligraphic logic, with curved spines and soft hooks that match the alphabet.
Best suited for short to medium-length display settings such as branding wordmarks, posters, packaging labels, greeting cards, and invitation-style typography where an informal script voice is desired. It can also work for pull quotes or section headers, especially when paired with a simpler text face to balance the lively rhythm.
The overall tone is upbeat and personable, with a lightly nostalgic, storybook quality. Its flowing curves and charming irregularities suggest warmth and approachability rather than formality, making it feel crafted and expressive without becoming overly ornate.
The design appears intended to deliver a friendly, handmade script look with enough consistency to set complete sentences, emphasizing distinctive, decorative capitals and a smooth, brush-like stroke flow. The goal seems to be an expressive display script that feels personal and slightly retro while remaining broadly legible.
Capitals carry much of the personality through exaggerated loops and asymmetric curves, while the lowercase maintains steadier forms for readability. The heavier downstrokes and tapered finishing strokes create a subtle contrast that reads well at display sizes, though the dense texture can become busy in long passages or at small sizes.