Sans Superellipse Duroh 5 is a light, very wide, medium contrast, italic, tall x-height font.
Keywords: display, branding, headlines, tech ui, packaging, sleek, technical, aerodynamic, modern, clean, futuristic, streamlining, approachability, clarity, distinctiveness, rounded corners, soft terminals, oblique slant, wide stance, streamlined.
This typeface is an oblique sans with a notably wide set and softly squared, superelliptical construction. Curves resolve into rounded-rectangle forms, giving letters like O/C/G and the bowls of B/P a smooth, engineered feel rather than a purely geometric circle. Strokes stay even and crisp with gently rounded terminals and minimal modulation, while joins and corners are consistently softened to maintain a cohesive, streamlined rhythm. The lowercase shows a tall, open presence with compact ascenders/descenders relative to the x-height, and the numerals echo the same rounded, slightly squarish geometry for a uniform texture in mixed alphanumerics.
Best suited to headlines, branding, and short-form settings where its wide, streamlined shapes can read as intentional and distinctive. It can also work for tech-oriented UI labels, dashboards, product naming, and packaging where a modern, engineered voice is helpful, though the width and slant make it less ideal for dense, long-form text blocks.
The overall tone feels modern and efficiency-driven—more aerodynamic than playful. Its rounded-square shapes and forward slant suggest speed, technology, and contemporary design, while the softened corners keep it approachable and polished rather than harsh or aggressive.
The design appears intended to merge a contemporary oblique sans structure with rounded-square geometry for a clean, futuristic impression. By keeping stroke behavior controlled and corners consistently softened, it aims to deliver a cohesive, systematized look that stands out in display and interface contexts without decorative flourishes.
Wide letterforms and generous internal counters create a clear, airy color in text, especially at display sizes. The oblique angle is steady across the set, and the superelliptical rounding remains consistent from capitals through numerals, reinforcing a coherent system-like aesthetic.