Sans Normal Dyboy 16 is a regular weight, wide, medium contrast, italic, normal x-height font visually similar to 'MN Newthon' by Mantra Naga Studio (names referenced only for comparison).
Keywords: user interfaces, product design, presentations, wayfinding, captions, clean, modern, technical, efficient, neutral, clarity, modernization, emphasis, utility, systematic, oblique, monolinear, open counters, rounded forms, generous spacing.
This typeface is an oblique sans with smooth, rounded construction and a steady, even stroke color. Letterforms lean consistently to the right and favor open apertures and clear counters, keeping shapes legible even at smaller sizes. Curves are drawn with a circular logic (notably in C, O, Q, and numerals), while diagonals in K, V, W, X, and Y stay crisp and lightly tapered by the slant. Overall spacing feels roomy and the rhythm is calm, with a slightly extended feel that helps avoid crowding in running text.
It works well for interfaces, dashboards, and product typography where clarity and consistency matter, especially when an oblique emphasis is desired without heavy stylization. The open shapes and even color also suit captions, diagrams, and informational graphics, while the clean proportions can scale up comfortably for headings in presentations and branding systems.
The tone is contemporary and matter-of-fact, reading as straightforward rather than expressive. The oblique angle adds a mild sense of motion and urgency without becoming sporty or calligraphic. It comes across as practical, polished, and well-suited to clean UI and corporate communication.
The design appears intended as a dependable oblique companion for modern sans-serif typography—prioritizing clarity, smooth geometry, and a restrained, professional voice. Its shapes suggest a focus on everyday usability in digital and editorial contexts, offering emphasis through slant while keeping letterforms simple and highly legible.
Numerals are smooth and readable with clear distinctions (notably 1, 7, and 9), and the lowercase shows simple, single-storey forms with uncluttered terminals. The oblique treatment appears structurally integrated (not merely a mechanical shear), maintaining consistent curves and balanced joins across the set.