Sans Superellipse Hudim 2 is a very bold, narrow, monoline, upright, tall x-height font visually similar to 'React BTL' by BoxTube Labs, 'Mercurial' and 'Tradesman' by Grype, 'Berber' by Letterbox, 'MGT American Copper' by Magetype, and 'Alma Mater' and 'Oscar Bravo' by Studio K (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, techno, industrial, retro, assertive, compact, impact, compactness, modernity, tech tone, display, rounded corners, square-ish, modular, blocky, condensed.
This typeface uses compact, rounded-rectangle construction with consistently softened corners and largely uniform stroke thickness. Counters tend to be squarish and tight, with openings that feel engineered rather than calligraphic. The overall rhythm is dense and vertical, with short extenders and a high x-height impression that keeps lowercase forms sturdy and space-efficient. Curves are minimized in favor of superelliptical bowls and straight-sided stems, producing a clean, modular silhouette across letters and numerals.
It performs best in short, high-impact settings such as headlines, posters, logos, and packaging where its compact weight and geometric forms can read as a strong graphic element. It can also suit UI labels, wayfinding, or product titling when a tech-forward, engineered tone is desired, especially at medium-to-large sizes.
The tone is bold and utilitarian, with a distinctly techno and industrial flavor. Its rounded-square geometry nods to retro sci-fi and arcade-era graphics while still reading as contemporary and functional. The compressed, heavy presence makes it feel confident, punchy, and slightly mechanical.
The design appears intended to deliver maximum impact in limited horizontal space while maintaining a cohesive rounded-rectangular aesthetic. By relying on uniform strokes and superelliptical bowls, it aims for a clean, modern display voice with retro-tech associations and strong visual consistency across the character set.
Several glyphs emphasize geometric logic over traditional handwriting cues, reinforcing a constructed, display-driven character. The numerals share the same rounded-rectilinear language, giving mixed alphanumeric settings a cohesive, system-like feel. Spacing in the sample text appears tight and efficient, contributing to a compact texture in paragraphs.