Sans Other Admin 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice, 'Killer Elephant' by Fenotype, 'Mister London' by Sarid Ezra, 'Luckiest Guy Pro' and 'Luckiest Softie Pro' by Stiggy & Sands, and 'Remissis' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids media, branding, playful, quirky, friendly, cartoonish, lively, display impact, playful tone, handmade feel, attention grabbing, chunky, rounded, bouncy, irregular, soft corners.
A chunky, heavy sans with rounded outer curves and subtly irregular geometry that gives each glyph a slightly off-kilter, hand-cut feel. Strokes are low-contrast and mostly monoline, with softly eased terminals and occasional angled cuts that add a carved, blocky character. Proportions skew wide and compact, with generous counters and simplified interior shapes that keep the letters bold and legible at display sizes. The overall rhythm is intentionally uneven—some letters lean into squarer construction while others are more circular—creating a lively, informal texture across words.
Best suited to short, high-impact text such as headlines, posters, product packaging, and logo or wordmark-style branding where personality is a priority. It also fits children’s media, event promos, and playful editorial callouts, and performs well in large sizes where its irregularities become a feature rather than a distraction.
The font reads as upbeat and humorous, with a bouncy, comic sign-painting energy. Its wobble and chunky massing suggest friendliness and approachability rather than precision or authority, making it feel casual and attention-grabbing.
The design appears intended to deliver a bold, approachable display voice with a handcrafted, slightly wobbly silhouette—prioritizing charm and immediacy over strict geometric consistency. Its simplified shapes and generous counters aim for quick recognition and strong presence in attention-led layouts.
Capitals are particularly impactful and poster-like, while lowercase maintains the same chunky logic with single-storey forms and simplified joins. Numerals are bold and rounded, matching the letterforms’ soft, cut-paper aesthetic and keeping a consistent, playful tone in mixed copy.