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Serif Flared Gari 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Muller' and 'Muller Next' by Fontfabric, 'EquipCondensed' by Hoftype, 'ITC Officina Display' by ITC, 'PTL Notes Soft' by Primetype, and 'Ideal Gothic' by Storm Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, book covers, mastheads, branding, classic, assertive, editorial, heritage, dramatic, impact, authority, tradition, display, brand voice, high contrast, flared terminals, bracketed serifs, tight apertures, ball terminals.


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This typeface presents heavy, confident letterforms with pronounced bracketed serifs and subtly flared stroke endings that thicken into the terminals. Curves are full and rounded, with relatively tight apertures in letters like C, S, and e, giving the shapes a compact, sculpted feel. The overall rhythm is steady and upright, with a moderate x-height and sturdy verticals that keep text blocks dense and authoritative. Counters are clean and mostly round, while details such as the bulbous terminals on some lowercase forms (notably a, c, e) and the strong, wedge-like finishing strokes in capitals contribute to a distinctly traditional serif texture.

It performs best in display settings such as headlines, posters, book covers, and mastheads where its strong serif texture can carry the page. It can also serve for branding and packaging that aims for a traditional, editorial voice, especially in short text runs where the compact apertures and heavy strokes enhance impact.

The tone is classic and emphatic, evoking editorial gravitas and a heritage sensibility. Its strong silhouettes and weighty presence read as confident and slightly theatrical, suitable when a voice needs to feel established and authoritative rather than neutral.

The design appears intended to merge traditional serif structure with expressive, flared finishing strokes to create a bold, attention-holding voice. It prioritizes strong silhouette and classic typographic cues for high-impact titles and prominent messaging.

Uppercase letters show broad, stable proportions with crisp serif modeling, while the lowercase mixes sturdy stems with rounded, sometimes ball-ended terminals for added character. Numerals are similarly weighty and highly legible, with rounded forms (8, 9, 0) that feel consistent with the letter counters and angular joins that keep the overall impression firm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸