Sans Superellipse Utbub 3 is a regular weight, wide, low contrast, upright, normal x-height font.
Keywords: ui labels, app design, product branding, signage, packaging, techy, friendly, clean, modern, neutral, system clarity, soft geometry, modern utility, legibility, rounded, squared, monoline, geometric, soft corners.
A monoline sans with a wide stance and generous internal space, built from rounded-rectangle and superellipse-like curves. Corners are consistently softened, and bowls and counters tend toward squarish ovals rather than true circles, giving the design a sturdy, engineered feel. Strokes stay even with minimal modulation, terminals are clean and mostly straight-cut, and curves connect smoothly into stems. The lowercase shows simple, open forms with single-story a and g, a compact shoulder on r, and a tall, straightforward t; numerals share the same rounded-rect geometry for a cohesive texture.
Well-suited to UI and product contexts where clarity at varying sizes matters, such as navigation, labels, dashboards, and device or software branding. The wide, open shapes also work for signage and packaging where quick recognition and a clean, modern texture are desired.
The overall tone is contemporary and approachable: precise enough to read as technical, but softened by rounded corners and roomy counters. It suggests interface clarity and product practicality rather than editorial personality, with a calm, neutral voice that still feels friendly.
The design appears intended to combine geometric, superelliptical structure with softened edges for a balanced mix of technical precision and approachability. Its consistent rounding and even stroke weight prioritize uniformity and legibility, suggesting a system-oriented typeface meant for contemporary digital and product environments.
The superelliptical construction produces a distinctive rhythm in rounded letters (C, O, S, 0, 8), where sides feel slightly flattened compared to fully circular grotesks. The wide proportions and open apertures keep dense text from feeling cramped, while the consistent corner rounding maintains a cohesive, system-like look across letters and figures.