Print Gabuv 10 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Midnight Sans' by Colophon Foundry, 'Framer Sans' by June 23, 'Din Condensed' by ParaType, and 'PF DIN Text' by Parachute (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, kids titles, playful, quirky, handmade, retro, friendly, add personality, grab attention, feel handmade, evoke nostalgia, chunky, rounded, bouncy, soft corners, irregular.
A chunky, condensed display face with hand-drawn irregularity and soft, slightly rounded corners. Strokes are heavy and mostly uniform, with subtle wobble and uneven terminals that create an inked, cut-paper feel. Counters are compact and occasionally lopsided, and curves (like C, O, S) show gentle asymmetry that keeps the rhythm lively. Overall spacing and widths vary slightly between glyphs, reinforcing a casual, drawn-by-hand texture while maintaining clear letterforms.
Best suited for short, attention-grabbing settings where personality matters: posters, storefront signage, playful branding, packaging, labels, stickers, and social graphics. It also works well for children’s titles and casual editorial callouts where a friendly, hand-made tone is desired.
The font reads as upbeat and informal, with a charming, homemade confidence. Its compact, punchy silhouettes and wiggly details evoke a retro poster sensibility—humorous, approachable, and a bit mischievous rather than polished or corporate.
The design appears intended to deliver bold impact with a human touch—combining condensed, space-efficient shapes with intentionally imperfect contours for warmth and character. It prioritizes personality and immediacy over strict geometric consistency, aiming to feel like confident lettering drawn quickly for display use.
The uppercase set feels especially blocky and assertive, while the lowercase introduces more bounce through varied bowls and shoulders. Numerals follow the same chunky logic with softened curves, making them blend naturally in headlines and short bursts of text. The overall texture is intentionally imperfect, creating visual energy without becoming messy.