Sans Superellipse Tybe 2 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Bellfort' by GRIN3 (Nowak), 'Masifa' and 'Masifa Rounded' by Hurufatfont, and 'Entropia' by Slava Antipov (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, retro, compact, utilitarian, punchy, space saving, attention grabbing, sturdy voice, retro feel, condensed, sturdy, blocky, rounded corners, high impact.
A condensed, heavy sans with rounded-rectangle construction and softly blunted corners. Strokes are thick and largely uniform, with minimal modulation and a tight, compact rhythm. Counters are small and somewhat squared, and curves read more like superelliptical rounds than true circles, giving letters a structured, machined feel. Terminals are mostly flat with slight softening, and punctuation and numerals share the same dense, sturdy proportions.
Well suited to headlines and short display copy where a compact footprint and strong color are advantageous, such as posters, signage, packaging, and bold logo wordmarks. It can also work for labels or UI callouts when a dense, high-impact look is desired, though its tight counters suggest avoiding very small sizes for extended reading.
The overall tone is tough and pragmatic, with a retro-industrial edge. Its compact width and dense color create an assertive, no-nonsense voice that feels built for attention and durability rather than delicacy.
The design appears intended to deliver maximum impact in limited horizontal space while maintaining a friendly, rounded-rectangle softness. Its consistent stroke weight and superelliptical curves suggest a focus on robust legibility and a distinctive industrial flavor in display settings.
Round letters like O/Q/C show squarish, rounded geometry, and the two-storey-like forms are avoided in favor of simple, single-storey lowercase shapes that keep the texture consistent. The condensed fit and dark weight make spacing and counters feel intentionally tight, emphasizing a strong, poster-like presence.