Sans Other Syho 9 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, ui labels, title cards, futuristic, tech, digital, sci-fi, minimal, display, tech branding, interface, systematic, modernist, angular, boxy, geometric, modular, rectilinear.
The design is built from thin, consistent strokes with a rectilinear, modular geometry. Corners are mostly sharp with occasional clipped or chamfer-like joins, and many curves are replaced by straight segments, producing squared counters and angular bowls. Proportions feel expanded and open, with generous interior space and a slightly mechanical rhythm that favors horizontal and vertical structure; diagonals are used sparingly and read as deliberate structural braces rather than calligraphic movement.
It works best for display settings where a futuristic or technical voice is desired: wordmarks, product branding, posters, packaging, motion graphics, and UI headings or labels. It can also suit game titles, sci‑fi themed projects, and album or event graphics where a geometric, schematic aesthetic reads clearly at larger sizes; for long passages, its novelty and thin strokes suggest using it selectively for emphasis.
This font conveys a futuristic, tech-forward tone with a cool, engineered neutrality. Its sparse strokes and geometric construction feel schematic and synthetic, giving it a slightly sci‑fi and cyberpunk flavor while staying clean and controlled. The overall mood is precise and minimal rather than friendly or expressive.
The font appears designed to project a constructed, high-tech identity through a simplified, grid-like skeleton and reduced curvature. Its consistent stroke logic and squared forms prioritize a distinctive, engineered look over traditional text comfort, suggesting an emphasis on visual signature and controlled geometry.
Uppercase and lowercase share a consistent constructed vocabulary, with many letters echoing squared counters and segmented bowls, which reinforces the modular feel. Numerals follow the same rectilinear logic, reading clearly as digital-like forms that align with the overall system.