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Free for Commercial Use

Inline Nafo 2 is a very bold, normal width, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, signage, art deco, theatrical, bold, retro, display, attention grabbing, vintage flair, ornamental display, signage style, branding impact, inline, cutout, flared, geometric, dramatic.


Free for commercial use
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A very heavy display face built from compact, solid forms with a consistent inline cut running through many strokes, creating a carved, hollowed look without sacrificing overall mass. Curves are smooth and rounded, while terminals often show slight flaring and sharp, wedge-like joins that add snap to the silhouette. The contrast is expressed through thick outer strokes against the thin internal channels, producing strong figure–ground interplay. Uppercase letters feel broad and poster-like, and the numerals echo the same bold, cut-through construction for a unified set.

Best suited for posters, event graphics, storefront or wayfinding signage, and bold editorial headlines where the inline detailing can be appreciated. It can also work for branding and packaging that want a vintage, show-card feel, especially in short wordmarks or punchy titles.

The inline carving and high-impact weight give the font a theatrical, vintage mood with clear Art Deco and marquee signage associations. It reads as confident and attention-seeking, with a crafted, ornamental energy that feels suited to headline moments rather than quiet text. The look balances elegance and spectacle, leaning toward retro glamour.

The design appears intended to deliver maximum impact through heavy silhouettes while adding sophistication via carved inline channels. It aims to evoke classic display typography—showcard, Deco, and sign-painting influences—by pairing sturdy letterforms with decorative internal striping.

The internal cut lines vary in placement across letters, creating a lively rhythm and a slightly hand-crafted irregularity within an otherwise geometric system. Tight counters and dense black areas make the design most effective at medium-to-large sizes, where the inline detail stays crisp and intentional.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸