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Outline Tija 1 is a very light, wide, low contrast, upright, normal x-height font.

Keywords: headlines, logos, packaging, invitations, posters, elegant, airy, decorative, refined, theatrical, luxury display, ornamental styling, editorial elegance, vintage revival, title emphasis, monoline, inline, hairline, high-waisted capitals, oldstyle figures.


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A delicate outline serif built from hairline contours, with generous interior space and crisp, bracketed serifs. The letterforms lean on classical proportions: tall, high-waisted capitals, rounded bowls, and smooth, continuous curves, while verticals and horizontals stay consistently thin and clean. Many glyphs feature an inline-style double-contour effect on straight stems and select curves, giving the characters a dimensional, engraved feel without adding weight. Numerals read as oldstyle in spirit, with curving strokes and varied heights that harmonize with the serif construction.

Best suited for large-size settings such as headlines, logotypes, packaging, and event or wedding invitations where the outline detail can be appreciated. It can also work for short pull quotes or mastheads in editorial layouts, especially when paired with a solid text face for body copy.

The overall tone is polished and airy, suggesting vintage luxury and editorial sophistication. Its outline construction feels ornamental and slightly theatrical, evoking display typography used for titles, invitations, and branded moments where delicacy is part of the statement.

The design appears intended to deliver a classic serif voice in an ultra-delicate outline treatment, trading color and density for elegance, sparkle, and a sense of crafted ornament. Its consistent contouring and inline accents aim to provide a luxe, display-ready look while keeping the rhythm and structure of a traditional serif.

Counters are large and open, and terminals tend to finish in fine points or small, sharp serif details, which heightens the filigree-like impression. Round letters (like O/C) maintain smooth geometry, while diagonals (V/W/X/Y) stay crisp and neatly articulated within the outline logic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸