Sans Superellipse Vuhy 1 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: ui labels, tech branding, headlines, signage, packaging, futuristic, tech, industrial, clean, space-age, modernization, systematization, sci-fi tone, interface clarity, geometric unity, squared-round, geometric, modular, streamlined, robotic.
A geometric sans built from squared, superelliptic bowls and rounded-rectangle counters, giving most curves a softly boxed silhouette rather than a true circle. Strokes stay consistently even, with crisp terminals and corners that are typically radiused instead of sharp. The design favors broad, open shapes and horizontal stability; diagonals (A, K, V, W, X, Y) are straight and clean, while C/G/S show flattened arcs that reinforce the modular feel. Numerals and capitals follow the same squared-round logic, with a prominent, rectangular 0 and segmented-looking curves in 2, 3, 5, and 6 that read as engineered rather than calligraphic.
Well-suited to UI labels, dashboards, and product interfaces where a clean, engineered voice is desired, and to technology or gaming branding that benefits from a futuristic edge. It also works effectively for short headlines, signage, and packaging where its squared-round geometry can carry the visual identity at a glance.
The overall tone is modern and system-like, suggesting interface typography, sci‑fi titling, and engineered products. Its squared curves and consistent rhythm feel precise and controlled, with a cool, technological character rather than a humanist or editorial one.
The design appears intended to translate rounded-rectangle geometry into a practical sans, balancing a sci‑fi, modular look with readable, consistent letterforms. It prioritizes a cohesive system of squared curves and uniform stroke behavior to produce a confident, modern texture in both display and functional settings.
In text settings the uniform stroke and rounded-rectangle counters create strong patterning and a distinctive texture, especially in sequences with many bowls (e, o, p, q) and in all-caps. The slightly boxy curvature makes forms feel compact and purposeful, while maintaining clear differentiation between similar shapes through open apertures and simplified joins.