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Free for Commercial Use

Inline Hyzi 5 is a light, very wide, medium contrast, upright, normal x-height font.

Keywords: headlines, logos, posters, packaging, branding, futuristic, technical, architectural, sleek, experimental, distinct display, tech aesthetic, geometric clarity, lightness illusion, monolinear, geometric, rounded, open counters, stylized.


Free for commercial use
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A wide, geometric sans with rounded corners and open, generously proportioned counters. Strokes are consistently light and appear as hollow outlines with a narrow internal cut that reads like an inline detail, creating a layered, engineered look across letters and numerals. Curves are smooth and circular (notably in O/C/G and 0/8/9), while joins and diagonals stay crisp, giving the design a precise, drawn-with-instruments rhythm. Spacing and sidebearings feel intentionally roomy, and the overall silhouette emphasizes breadth and clean horizontal flow.

Best suited to display contexts where the hollow/inline construction can be appreciated: headlines, logotypes, signage-style titles, and tech-leaning branding. It can also work for packaging and editorial pull quotes where a clean geometric voice is wanted, but it is likely most effective at medium-to-large sizes where the interior detailing stays clear.

The inline/hollow construction adds a techy, schematic tone—more like a display face for interfaces and concept visuals than a neutral workhorse. Its airy outlines and wide stance feel modern and slightly retro-futurist, suggesting electronics, wayfinding systems, or industrial design language rather than handwriting or classic print traditions.

The design appears intended to modernize a geometric sans by introducing an internal inline cut, producing a lightweight, dimensional effect without adding stroke weight. The goal seems to be a precise, futuristic display texture—distinctive, systematic, and visually consistent across capitals, lowercase, and figures.

The internal cut/inline detail varies in placement by shape, creating subtle motion within otherwise simple forms (seen in bowls, terminals, and diagonal joins). Numerals keep the same rounded, open style and maintain strong recognizability at display sizes, with the inline detail adding character without becoming decorative clutter.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸