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Free for Commercial Use

Sans Faceted Elke 1 is a very bold, normal width, monoline, italic, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Bio Sans' and 'Bio Sans Soft' by Dharma Type, and 'Rebar' by Method & Craft (names referenced only for comparison).

Keywords: headlines, posters, sports branding, apparel graphics, packaging, sporty, industrial, assertive, techno, urban, impact, speed, ruggedness, precision, modernity, octagonal, chamfered, angular, blocky, condensed caps feel.


Free for commercial use
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This typeface is built from hard-edged, faceted forms that replace curves with chamfered corners and straight segments. Strokes are consistently heavy and largely even in thickness, producing a sturdy, poster-like color. The overall structure leans forward with a clear slant, while counters and bowls are simplified into polygonal apertures (notably in O, Q, and numerals). Uppercase letters read tall and compact with squared terminals; lowercase follows the same angular logic with sturdy, blocky joins and minimal modulation.

Best suited to short, high-impact settings such as headlines, posters, sports and esports identities, apparel graphics, and packaging where the angular construction can read as a visual feature. It can also work for UI labels or signage when set large enough to preserve the polygonal counters and cut-ins.

The sharp facets and forward-leaning stance give the font a fast, forceful tone with a utilitarian edge. It feels sporty and mechanical at once—more “team mark and equipment label” than editorial—projecting toughness, motion, and a no-nonsense attitude.

The design appears intended to deliver a bold, high-energy sans voice using planar facets to suggest speed, toughness, and engineered precision. Its consistent stroke weight and simplified geometry prioritize immediate impact and strong silhouettes over subtle typographic nuance.

The faceting creates distinctive silhouettes and strong word shapes, especially in all-caps. At smaller sizes the angled cuts can visually crowd interior spaces, while at display sizes the geometric construction becomes a defining texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸