Inline Ebpa 3 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: display, headlines, posters, logos, packaging, retro, futuristic, techy, arcade, industrial, tech styling, retro homage, display impact, graphic texture, geometric, monolinear, outlined, angular, stencil-like.
A geometric, squared sans built from monolinear outlines with an inset inner line that creates a double-stroke, carved look. Forms are largely rectilinear with occasional rounded corners and segmented curves, producing a slightly modular construction across capitals, lowercase, and figures. Counters are mostly open and boxy, terminals are blunt, and joins stay clean and mechanical. Spacing and proportions feel display-oriented, with straightforward letter shapes and a consistent outline thickness that keeps the texture even in lines of text.
Best suited for display applications such as headlines, posters, album or event graphics, and brand marks where the inline construction can read clearly. It can also work for short UI labels or signage-style copy when set large enough and with generous tracking, but it is less appropriate for long-form text.
The overall tone reads retro-futurist and game-adjacent, with a crisp, technical feel reminiscent of arcade UI lettering and 1980s sci-fi titling. The inline detail adds a schematic, neon-tube impression that feels energetic without becoming decorative to the point of novelty.
The design appears intended to deliver a distinctive outlined-inline effect with a modular, geometric skeleton—prioritizing a bold, crafted presence over text neutrality. Its consistent construction suggests a focus on creating a cohesive techno/retro atmosphere across both uppercase and lowercase, with figures that match the same squared, schematic language.
Because the design relies on open outlines and an inner cut line, the face benefits from adequate size and contrast; at smaller settings the internal detailing may visually merge. Rounded details appear selectively (notably in bowls and some diagonals), softening the otherwise strict geometry and helping keep the rhythm from feeling overly rigid.