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Sans Other Tima 10 is a light, very narrow, monoline, upright, short x-height font.

Keywords: display, headlines, posters, logotypes, ui labels, futuristic, technical, geometric, sci‑fi, minimal, tech aesthetic, sci‑fi branding, modular design, display impact, systematic look, condensed, rectilinear, angular, wireframe, squared.


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A sharply rectilinear sans built from straight strokes and tight right‑angle turns, with squared terminals and largely open counters. The geometry is tall and condensed, emphasizing verticals and narrow bowls while keeping horizontals short and crisp. Curves are mostly avoided or implied through faceted corners, giving rounds like O and Q a squarish, architectural feel. Spacing and widths vary by letterform, producing a staccato rhythm in text where narrow glyphs (I, l) and wider constructions (M, W) create a stepped, mechanical cadence.

Best suited to display typography where its condensed proportions and geometric quirks can be appreciated—headlines, posters, packaging accents, and logotypes. It can also work for short UI labels or dashboards when a techno aesthetic is desired, but it is most effective in larger sizes rather than extended reading.

The overall tone is futuristic and technical, evoking instrument panels, electronic readouts, and modernist signage. Its wireframe clarity and angular construction feel precise and engineered, with a slightly retro computer/arcade flavor that reads as deliberate and stylized rather than neutral.

The design appears intended to translate a grid-and-module concept into a readable sans, prioritizing a futuristic, constructed look over conventional humanist warmth. Its faceted forms and tight proportions suggest an aim toward sci‑fi branding and technical atmospheres while keeping a consistent, system-like alphabet and numeral set.

Distinctive constructions include modular, boxy capitals, narrow apertures, and digit forms that follow the same rectilinear logic, helping text and numerals feel like a single system. The simplified stroke endings and consistent corner behavior reinforce a schematic, grid-based impression that becomes especially apparent in longer lines of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸