Sans Faceted Syti 10 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Marche' and 'Marche Variable' by Colophon Foundry, 'Rigid Square' by Dharma Type, 'Bari Sans' by JCFonts, 'Prachason Neue' by Jipatype, 'Hype Vol 1' by Positype, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, team graphics, packaging, sporty, industrial, bold, retro, impactful, impact, ruggedness, modernize retro, signage clarity, athletic tone, octagonal, chamfered, blocky, modular, geometric.
A heavy, block-built sans with faceted, chamfered corners replacing curves throughout. Strokes are uniform and planar, producing an octagonal geometry in round letters like C, O, and G and giving diagonals a cut, mechanical feel. Proportions read broad and steady with compact counters and sturdy terminals, and the lowercase follows the same angular construction for a cohesive, modular rhythm. Numerals and capitals share the same squared-off, sign-like structure, prioritizing solidity and clear silhouette over delicate detail.
Best suited to high-impact display work such as headlines, posters, and promotional graphics where its bold silhouettes and angular texture can carry the composition. It fits sports branding, team apparel, and industrial-themed packaging or signage, and works well for short phrases, labels, and numbers where instant recognition is key.
The faceted shapes and dense color create an assertive, no-nonsense voice with strong athletic and industrial associations. Its cut-corner geometry suggests stenciled equipment markings and retro scoreboard lettering, lending a rugged, high-energy tone. Overall it feels confident, loud, and utilitarian rather than refined or expressive.
The design appears intended to deliver maximum punch with a distinctive faceted construction—an engineered, cut-corner alternative to standard geometric sans forms. Its consistent chamfer language and sturdy proportions aim to project strength and clarity in attention-grabbing display contexts.
At larger sizes the angular cuts become a defining texture, while in smaller settings the tight counters and dense joins can make word shapes feel compact and heavy. The design maintains a consistent facet logic across straight, diagonal, and rounded constructions, helping the alphabet feel intentionally engineered.