Sans Superellipse Ibrez 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Hando' by Eko Bimantara, 'Geogrotesque Sharp' by Emtype Foundry, 'Hype Vol 1' by Positype, 'Eurostile' by URW Type Foundry, and 'Berka' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, athletic, retro, confident, punchy, impact, modernize, soften, simplify, rounded, blocky, compact, geometric, friendly.
A heavy, geometric sans built from broad strokes and rounded-rectangle curves, giving counters and bowls a superelliptical, squared-off feel. Corners are consistently softened rather than sharp, while straight segments stay firm and planar, producing a compact, poster-like texture. Widths vary by glyph, but overall proportions skew roomy and stable, with large apertures and simplified joins that keep forms robust at display sizes. Numerals follow the same rounded-block construction, with clear, thick terminals and generous interior space.
Best suited to headlines, posters, and brand marks where a bold, rounded-block presence is desirable. It also fits packaging, labels, and signage that need high impact and straightforward forms, and can work for short UI or dashboard headings where a sturdy, friendly tone is wanted.
The overall tone is assertive and utilitarian with a friendly edge—like bold labeling, sports graphics, or modern retro signage. Its rounded geometry softens the weight, making the voice feel approachable rather than aggressive, while still reading as strong and attention-seeking.
The font appears designed to deliver maximum impact with a cohesive, rounded-rect geometry—prioritizing strong silhouettes, quick recognition, and a contemporary-industrial personality that remains approachable.
The design’s defining signature is the repeated rounded-rectangle motif across curves and counters, which creates a consistent, modular rhythm in both uppercase and lowercase. In text settings, the dense strokes and compact internal shapes produce a dark, even color that favors short lines and large sizes.