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Free for Commercial Use

Sans Faceted Tyde 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Jano Sans Pro' by Craceltype, 'Branden Rounded' by Craft Supply Co, 'Binate' by Monotype, and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: headlines, logos, posters, packaging, wayfinding, industrial, tech, signage, sporty, sturdy, impact, ruggedness, modernity, distinctiveness, clarity, faceted, angular, beveled, geometric, blocky.


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A heavy, geometric sans with planar, faceted construction that substitutes crisp chamfers for fully round curves. Strokes are consistently thick with low contrast, and most terminals are squared off or cut at angles, producing a hard-edged, engineered rhythm. Counters tend to be compact and slightly squarish, with rounded forms (like O/C/G) expressed as multi-sided polygons rather than true ovals. Lowercase forms are sturdy and compact, with single-story a and g, a short-armed r, and a straightforward, utilitarian texture. Numerals match the same chamfered logic, reading like cut-metal stencils without actual breaks.

Best suited to display roles such as headlines, branding marks, posters, and packaging where the faceted construction can be appreciated. It can also work well for signage and wayfinding in bold applications, especially where a sturdy, engineered tone supports the message.

The overall tone is industrial and technical, with a rugged, machined feel that suggests utility, durability, and modern hardware aesthetics. Its faceted curves and blunt terminals convey a no-nonsense, performance-oriented character that can also read as sporty or futuristic depending on context.

The font appears designed to deliver a robust sans-serif voice while adding a distinctive, faceted geometry that evokes cut, beveled, or machined forms. The goal seems to be high-impact readability with a memorable industrial edge rather than a neutral text workhorse.

The design maintains a consistent chamfer language across straight and curved structures, which helps headings feel cohesive at large sizes. At smaller sizes, the tight counters and dense weight can make interior spaces feel compact, so generous spacing and clear contrast with the background help preserve clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸