Sans Faceted Tybo 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Albeit Grotesk Caps' and 'Albeit Grotesk Rounded Caps' by Cloud9 Type Dept, 'Panton Rust' by Fontfabric, 'Latinka' by Jaroslav Zavodny, 'Hergon Grotesk' by Katatrad, 'Glimp' and 'Glimp Rounded' by OneSevenPointFive, and 'Hybriduo' by Typebae (names referenced only for comparison).
Keywords: headlines, logotypes, posters, signage, packaging, industrial, sporty, technical, retro, geometric impact, machined aesthetic, display clarity, system consistency, angular, faceted, chamfered, sturdy, compact.
A sturdy sans with planar, chamfered strokes that replace many curves with crisp facets. The design keeps largely even stroke weight while using clipped corners and octagonal-like rounds in letters such as C, G, O, and Q, producing a consistent “machined” geometry. Uppercase proportions are compact with squared terminals and straight-sided counters, while the lowercase is built from similarly blocky forms with rounded-by-facets bowls and a single-storey a. Numerals follow the same cut-corner construction, with open, readable shapes and emphatic horizontal/vertical alignment throughout.
Best suited to headlines, logos, and short bursts of copy where its angular silhouette can do the heavy lifting. It also works well for signage, labels, and packaging that benefit from a durable, industrial voice and quick recognition of letterforms.
The faceted construction gives the font a utilitarian, engineered tone that feels rugged and purposeful. It reads as sporty and industrial—evoking stenciled signage, equipment labeling, and retro-tech aesthetics—while remaining approachable enough for contemporary branding.
The letterforms appear designed to translate a geometric sans into a cut-corner, tool-like aesthetic—prioritizing a consistent chamfer system and high-impact shapes for branding and display contexts.
The uniform corner-chamfer logic carries cleanly across caps, lowercase, and figures, which helps maintain rhythm in text. Tight inner spaces and squared terminals increase density and presence, especially at display sizes, while the geometric rounding-by-facets keeps forms from feeling overly harsh.