Serif Other Doba 9 is a very bold, wide, very high contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, book covers, logotypes, dramatic, theatrical, vintage, ornate, whimsical, display impact, ornamental detail, vintage flavor, brand character, titling, ball terminals, swash-like, ink traps, bracketed, flared.
A decorative serif with hefty vertical stems, sharp hairline cut-ins, and pronounced internal notches that create a carved, stencil-like rhythm. Serifs are varied and often bracketed or flared, with frequent ball terminals and curled entry/exit strokes that give many letters a sculpted, calligraphic feel. The overall color is dense, but counters and cutouts are actively shaped, producing a lively texture and strong letter-to-letter individuality. Numerals and lowercase show the same high-drama detailing, with distinctive bowls, spurs, and occasional swash-like hooks.
Best suited for posters, headlines, and short phrases where its sculpted notches and expressive terminals can be appreciated at larger sizes. It can work well on packaging, editorial feature titling, and book or album covers that want a distinctive, vintage-leaning voice. For logos, it fits brands aiming for a theatrical or artisanal personality, especially when used sparingly.
The tone is bold and theatrical, leaning toward vintage display typography with a slightly whimsical, storybook flair. Its sharp contrasts and ornamental terminals suggest a crafted, decorative voice suited to attention-grabbing statements rather than quiet reading.
The likely intention is an attention-forward display serif that blends classic proportions with ornamental cut-ins and playful terminals to create a memorable, carved look. It appears designed to deliver strong impact and character in titling while maintaining recognizable letterforms.
The design mixes crisp geometric cuts with softer, rounded terminals, creating an intentionally eclectic silhouette across the alphabet. Spacing appears geared toward display sizing, where the interior cut-ins and serif shapes read as deliberate decoration rather than incidental ink spread.