Sans Superellipse Ehrih 2 is a regular weight, very narrow, low contrast, italic, tall x-height font visually similar to 'Allotrope' by Kostic (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, wayfinding, modern, efficient, technical, clean, forward-leaning, space saving, modernize, increase pace, systematic clarity, condensed, slanted, geometric, rounded, upright terminals.
A highly condensed italic sans with a clean, geometric skeleton and rounded, superellipse-like curves. Strokes are even and steady, with minimal contrast and smooth joins that keep counters open despite the narrow set. The italic angle is consistent across capitals, lowercase, and numerals, producing a continuous forward rhythm. Forms feel tall and streamlined, with compact widths and relatively generous vertical proportions; terminals are mostly straight-cut and crisp, while bowls and rounds stay softly squared rather than fully circular.
Best suited to headlines and display typography where space is limited and a streamlined italic presence is desirable. It can also work well for branding, packaging, and signage systems that benefit from a compact footprint and a contemporary, technical cadence.
The overall tone is modern and utilitarian, with a fast, engineered feel created by the strong slant and tight spacing. It reads as contemporary and slightly technical, suited to contexts that want a sleek, efficient voice rather than warmth or tradition.
The design appears aimed at delivering a space-saving italic sans that stays clean and legible while projecting speed and modernity. Its rounded-rectangle curvature and consistent stroke treatment suggest an intention to feel engineered and contemporary without relying on decorative detail.
Capitals maintain a restrained, uniform build that keeps word shapes stable in all-caps settings, while the lowercase retains clear differentiation through open apertures and simplified forms. Numerals match the same condensed, forward-leaning logic, supporting cohesive typography in data-rich layouts.