Sans Superellipse Tyru 11 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'CF Blast Gothic' by Fonts.GR, 'Tungsten' by Hoefler & Co., and 'Athletic Condensed' and 'Athletic Pro' by Mandarin (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, branding, industrial, poster-like, rugged, utilitarian, retro, high impact, space saving, gritty print, signage tone, geometric solidity, condensed, blocky, squared, rounded corners, ink-trap feel.
A condensed, heavy sans with squared proportions and subtly rounded corners, giving most shapes a rounded-rectangle (superellipse) feel. Strokes are consistently thick with minimal contrast, and counters are tight, producing a compact, high-impact texture. Many joins and terminals show slight irregularity and tapering that reads as a roughened, inked edge rather than a perfectly geometric finish. Letterforms are tall and narrow, with a large x-height and straightforward, upright construction across caps, lowercase, and numerals.
This font works best for short, bold statements where compact width and strong color are advantages—posters, headlines, labels, packaging, and signage. It can also add an industrial edge to logos and brand marks, especially when used at medium to large sizes where the roughened details remain clear.
The overall tone is bold and no-nonsense, balancing a geometric, engineered backbone with a gritty, printed texture. It evokes industrial signage and stamped or screen-printed lettering—confident, slightly rough, and attention-grabbing without becoming decorative.
The design appears intended to deliver maximum impact in a narrow footprint, combining a superelliptical, squared geometry with a deliberately distressed or inked finish for a tougher, more tactile presence.
Spacing appears relatively tight and the dense black shapes create strong vertical rhythm, especially in stacked text. The rounded-rectangle logic is visible in bowls and counters (notably in letters like O, D, P, and numerals), while the deliberate unevenness keeps it from feeling sterile.