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Free for Commercial Use

Sans Superellipse Tybo 3 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Placard Next' by Monotype, 'Monopol' by Suitcase Type Foundry, and 'Polate' and 'Polate Soft' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logos, industrial, rugged, assertive, poster-ready, retro, headline impact, space saving, high contrast in mass, textured print feel, bold branding, condensed, compressed, blocky, rounded corners, inked texture.


Free for commercial use
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A condensed, heavy sans with rounded-rectangle geometry and softened corners, producing an emphatically vertical silhouette. Strokes are broadly uniform with minimal modulation, and counters tend to be compact, giving the text a dense, ink-rich texture. Many forms show subtle irregularities and a distressed edge, as if from worn type or ink spread, which adds texture without breaking legibility at display sizes. The lowercase is tall and narrow with short extenders, and the numerals share the same compressed, blocky construction.

Best suited for display use such as posters, album covers, packaging, storefront signage, and punchy editorial headlines where a condensed, heavy voice is needed. It can work well for logos and badges that benefit from a rugged, stamped aesthetic. For long body text or small UI sizes, the tight counters and dense texture may feel heavy, but it excels when set large with generous spacing.

This typeface projects a loud, assertive tone with a gritty, workmanlike edge. Its condensed stance and heavy color feel urgent and attention-grabbing, while the slightly roughened contours add a tactile, printed-by-hand attitude. Overall it reads as industrial, straightforward, and a bit rebellious rather than polished or delicate.

The design appears intended to maximize impact in tight horizontal spaces, delivering strong visibility through dense letterforms and a narrow footprint. The rounded-rectangular construction keeps shapes cohesive and modern, while the distressed edges introduce a deliberately worn, printed character. It aims for bold, legible display typography with a textured, analog flavor rather than a pristine corporate finish.

The overall rhythm is strongly vertical, with consistent widths and compact internal spaces that create a solid typographic “bar” across lines. The distressed detail is subtle but persistent, giving repeated characters a slightly uneven, screen-printed feel and preventing large areas of black from looking flat.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸