Sans Faceted Wudy 9 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'PODIUM Sharp' by Machalski (names referenced only for comparison).
Keywords: sports branding, headlines, posters, logos, packaging, athletic, industrial, assertive, retro, machined, high impact, machined look, branding focus, scoreboard feel, rugged geometry, blocky, angular, faceted, chamfered, stencil-like.
A heavy, block-constructed sans with sharp planar facets that substitute for curves, producing octagonal counters and clipped terminals throughout. Strokes are uniformly thick with squared shoulders and frequent chamfers at corners, giving letters a machined, cut-from-plate feel. Counters are compact and often rectangular, and the overall rhythm is dense and high-impact, with minimal internal detailing beyond the faceted cut-ins. Numerals and capitals share the same rugged geometry, maintaining consistent edge treatment and a tightly engineered silhouette.
Best suited for short, high-visibility applications such as headlines, posters, team or event branding, and logo wordmarks where its dense, angular silhouettes can do the heavy lifting. It can also work for packaging, labels, and UI badges that benefit from an industrial, stamped look. For extended reading, its tight counters and uniform heft are more effective at larger sizes than in long text settings.
The font conveys a tough, high-energy tone reminiscent of sports branding and industrial labeling. Its faceted construction reads as purposeful and engineered, projecting confidence and a no-nonsense attitude. The overall impression is bold and attention-grabbing, with a slightly retro, arcade/scoreboard edge due to the angular cut corners and solid massing.
The design appears aimed at creating a robust display face with a distinctive faceted geometry, prioritizing impact and a manufactured aesthetic over softness or calligraphic nuance. Its consistent chamfer language suggests an intention to feel engineered, durable, and immediately legible in branding contexts.
Diagonal joins are handled with abrupt angular breaks rather than smooth transitions, which reinforces the faceted theme and keeps shapes crisp at display sizes. The lowercase follows the same blocky logic as the uppercase, resulting in a unified, logo-forward texture rather than a text-oriented one.