Sans Faceted Epgi 1 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Brave Brigade' by Invasi Studio and 'Hurdle' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, apparel, industrial, rugged, techno, retro, assertive, industrial display, grunge texture, tech styling, impactful branding, octagonal, chamfered, angular, stencil-like, distressed.
A heavy, faceted sans with octagonal construction: curves are replaced by straight segments and chamfered corners, producing a crisp, planar silhouette. Strokes are mostly vertical and horizontal with sharp diagonal cuts at terminals and inside corners, giving counters a squared-off, mechanical geometry. Many glyphs show intentional surface wear—small chips, gaps, and irregular nicks that create a printed, weathered texture while preserving clear letterforms. Spacing and rhythm feel compact and punchy, with sturdy stems and blocky proportions that hold up in tight settings.
Best suited to short-to-medium display copy where its faceted construction and distressed texture can be appreciated—posters, headlines, logos, labels, packaging, and apparel graphics. It also works well for themed UI or title treatments in games and entertainment, particularly when a rugged, industrial feel is desired.
The overall tone is tough and utilitarian, evoking industrial labeling, machinery, and hard-edged sci‑fi or gaming aesthetics. The distressed detailing adds a gritty, lived-in character, shifting the mood from pristine technical to rugged and street-ready.
The design appears intended to merge a geometric, hard-edged build with a deliberately worn finish, creating a bold display face that reads like stamped or printed industrial type while remaining distinctly faceted and contemporary.
Angular apertures and chamfered joins create strong internal shapes, especially in rounded letters and numerals, which read as engineered rather than handwritten. The distressing is consistent across uppercase, lowercase, and figures, so texture becomes part of the voice rather than an occasional effect.