Sans Faceted Epga 2 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Air Corps JNL' by Jeff Levine, 'Nulato' by Stefan Stoychev, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, sports branding, game ui, logos, sporty, industrial, aggressive, tactical, retro, impact, motion, ruggedness, tech edge, display focus, slanted, faceted, angular, chiseled, stencil-like.
A heavy, right-slanted sans with faceted construction that replaces curves with crisp planes and clipped corners. Strokes stay broadly uniform while joints break into sharp chamfers, giving counters a polygonal, cut-out feel. The texture is compact and forward-leaning, with squared terminals and occasional notches that suggest a rugged, machined finish. Lowercase forms are straightforward and sturdy, and figures match the same angular logic for cohesive headline rhythm.
Best suited to display settings where impact and speed cues matter: sports identity, motorsport or athletic promotions, game titles and UI labels, packaging callouts, and logo or wordmark exploration. It works particularly well when you want a rigid, engineered look in short phrases, badges, or high-contrast layouts.
The overall tone reads fast and forceful, like performance branding and technical labeling. Its faceted geometry and hard edges push it toward a tactical, industrial mood, while the slant adds urgency and motion. The slightly rough, distressed impression in some strokes contributes a gritty, high-impact personality.
The design appears intended to deliver a dynamic, high-energy sans that feels engineered and cut from hard material. By using facets and clipped terminals throughout, it creates a consistent angular voice meant to stand out in branding and display typography rather than quiet, long-form reading.
At larger sizes the planar facets become a defining feature and create a distinctive shimmer across words, especially in sequences of diagonals. In smaller text, the tight apertures and angular counters can feel dense, so spacing and size choices will strongly influence clarity.