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Free for Commercial Use

Sans Normal Togur 5 is a bold, wide, very high contrast, upright, normal x-height font.

Keywords: headlines, editorial, magazine covers, branding, posters, fashion, dramatic, luxury, modernist, headline impact, luxury branding, editorial drama, signature details, crisp, sculptural, staccato, monoline hairlines, ball terminals.


Free for commercial use
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A high-contrast display face built from large, weighty verticals and bowls punctuated by extremely thin hairline strokes. The geometry leans on broad circular and elliptical curves with sharp, clean joins and minimal modulation in the heavy strokes, creating a crisp, poster-like rhythm. Several letters introduce hairline diagonals and subtle hooked or tapered terminals (notably in forms like J, Q, k, s, x, y), which read as deliberate, decorative cuts rather than traditional serifs. Counters are generous and smooth, and spacing appears slightly open, helping the dense black shapes stay legible at large sizes.

Best suited to large-scale typography such as headlines, cover lines, brand wordmarks, and poster titles where the hairline cuts and high contrast can be appreciated. It can also work for short pull quotes or section openers in editorial layouts, especially where a polished, luxury-forward voice is desired.

The tone is refined and theatrical—equal parts contemporary editorial and high-fashion. The extreme contrast and razor-thin details give it a sense of precision and drama, while the rounded cores keep it elegant rather than aggressive. Overall it conveys luxury, confidence, and a curated, headline-first sensibility.

The font appears designed to deliver maximum impact through stark light–dark contrast and simplified, rounded construction, while adding distinctive hairline accents for a signature look. Its proportions and detailing suggest an intention to bridge modern minimalism with fashion-oriented drama for premium display settings.

The design relies on hairline features that may visually weaken at small sizes or in low-resolution contexts, while the heavy strokes remain dominant. Numerals match the letterforms’ contrast and roundness, with standout sculptural shapes (notably 2, 3, 5, and 9) that reinforce the display character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸