Sans Superellipse Dulup 1 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hando Soft' by Eko Bimantara, 'Rice' by Font Kitchen, 'PF Encore Sans Pro' by Parachute, 'Otoiwo Grotesk' by Pepper Type, 'Ordina' by Schriftlabor, and 'Obvia Wide' by Typefolio (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui labels, modern, friendly, confident, clean, tech, impactful clarity, approachable modernity, geometric consistency, brand voice, rounded, soft corners, compact, geometric, sturdy.
This typeface uses a geometric, rounded-rectangle construction with smooth curves and softened terminals. Strokes are heavy and even, producing a solid, low-detail silhouette with minimal modulation. Counters are generally open and simple, and the overall rhythm is compact with sturdy spacing and stable verticals. The lowercase shows a single-storey “a” and “g,” round i-dots, and straightforward, functional forms that prioritize clarity over calligraphic nuance. Numerals match the same superelliptical logic, with broad curves and flat-ish joins that keep the set visually uniform.
Well suited for headlines, short blocks of copy, and brand marks where a strong, friendly sans voice is needed. It can work effectively in interface labels and signage-style applications when set with adequate spacing, and it delivers a clean, contemporary look for packaging and promotional graphics.
The tone is contemporary and approachable, with a friendly softness that comes from the rounded geometry, while the weight and tight construction add confidence and impact. It reads as practical and modern rather than expressive or decorative, with a tech-adjacent cleanliness suited to straightforward messaging.
The design appears intended to provide a sturdy, highly legible sans with softened geometry—combining a modern, engineered construction with an approachable, rounded finish for versatile display and brand use.
Round joins and softened corners keep the font from feeling harsh at larger sizes, while the heavy stroke weight creates strong presence and consistent color in headlines. The shapes maintain a controlled, engineered feel, with minimal quirks and a focus on uniformity across letters and figures.