Sans Superellipse Gubip 22 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Orgon' and 'Orgon Plan' by Hoftype, 'Agent Sans' by Positype, and 'Gloriola' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, packaging, children’s, stickers, playful, friendly, chunky, quirky, bouncy, friendly display, quirky rhythm, soft geometry, bold legibility, rounded, soft-cornered, bulky, cartoonish, irregular baseline.
A heavy, rounded sans with soft corners and broad, compact shapes that feel carved from rounded rectangles. Strokes are thick and even, with minimal modulation, and counters are generously open for the weight. The design has a deliberately uneven, hand-set rhythm: several characters appear slightly tilted or gently warped, with subtle baseline and width variation that creates a lively texture in text. Terminals are blunt and smooth rather than sharp, and the overall spacing reads sturdy and dense without feeling cramped.
Best suited to display sizes where its bold mass and playful rhythm can carry personality—posters, headlines, product packaging, and youth-oriented branding. It can also work for short UI labels or badges when a friendly, attention-grabbing voice is needed, but the intentionally irregular texture is most effective in brief passages rather than long reading.
The font conveys an approachable, humorous tone—confident and loud, but not aggressive. Its bouncy irregularity and inflated forms suggest casual friendliness and a hint of comic whimsy, making it feel energetic and informal.
Likely designed to provide a robust, highly legible display sans with a soft, superellipse-inspired skeleton and a deliberately quirky, hand-made bounce. The goal appears to be a friendly, characterful alternative to neutral heavy sans fonts for branding and headline-driven layouts.
Round letters (like O/Q/0) lean toward squarish superellipse silhouettes, giving the face a distinctive “soft block” geometry. The lowercase includes single-story forms (notably a and g), reinforcing the informal, contemporary character, while numerals share the same chunky, slightly off-kilter attitude.