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Free for Commercial Use

Sans Superellipse Sinos 2 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Karepe FX' by Differentialtype, 'Nearing Condensed Sans' by Fridaytype, 'Brougham' by Jonahfonts, and 'Aptly' by Shinntype (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, sports branding, industrial, condensed, retro, posterish, forceful, space saving, high impact, display clarity, geometric identity, squared rounds, compact, vertical, geometric, sturdy.


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A compact, vertically oriented sans with heavy strokes and rounded-rectangle construction. Curves resolve into softened corners rather than true circles, giving bowls and counters a superelliptical feel. Terminals are mostly blunt and straight, with occasional tight, pinched joints where strokes meet (notably in diagonals and the lowercase). Apertures are generally small and counters are compact, producing a dense color on the line; spacing appears tight but consistent, maintaining an even rhythm in text. Numerals and capitals share the same tall, condensed posture, with minimal modulation and a strong, uniform stem weight.

Best suited for short, high-impact settings such as headlines, posters, product packaging, and wayfinding/signage where space is limited and strong presence is needed. It can work in brief subheads or pull quotes, but the dense counters and compact apertures make it less comfortable for long-form reading at smaller sizes.

The overall tone is assertive and utilitarian, with a slightly retro display character reminiscent of signage and industrial labeling. Its narrow, high-impact silhouettes feel urgent and economical, projecting strength and directness more than warmth or elegance.

The design appears intended to deliver maximum visual punch within a narrow footprint, using rounded-rectangle forms to create a distinctive geometric voice. It prioritizes bold legibility at display sizes and a consistent, industrial rhythm across letters and numerals.

Lowercase forms echo the same squared-round geometry, with simplified shapes and tight interior spaces that favor impact over open readability at small sizes. The rounded corners soften the heaviness just enough to keep large setting from feeling harsh, while the condensed proportions encourage stacked headlines and space-conscious layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸