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Sans Normal Oddev 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Gimbal Grotesque' by AVP, 'Dexa Pro' by Artegra, 'Congress Sans' by Club Type, 'Aspira' by Durotype, and 'FF Mark' and 'FF Mark Paneuropean' by FontFont (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, bold, confident, punchy, friendly, playful, headline impact, strong branding, space efficiency, high visibility, poster display, blocky, compact, chunky, sturdy, rounded forms.


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This is a heavy, compact sans with rounded construction and tightly enclosed counters. Strokes are broadly consistent in thickness, with smooth curves in letters like C, O, and S, and sturdy, squared-off terminals that keep the silhouette blocky and solid. The lowercase shows single-storey forms (notably a and g) and a short, robust ascender/descender feel, while the numerals are similarly dense and poster-like, emphasizing mass over finesse.

Best suited for headlines, short statements, and branding elements that need a compact, high-impact voice. It works well for posters, packaging, sports or event promotions, and bold UI accents such as banners or buttons. It is less suited to long-form text, where the dense spacing and heavy color could reduce comfort over extended reading.

The font projects a confident, no-nonsense tone with a slightly playful edge. Its chunky, compact letterforms feel assertive and attention-grabbing, reading as energetic rather than delicate or refined. The overall impression is friendly but forceful, suited to messaging that wants to sound direct and bold.

The design appears intended to deliver maximum impact in limited horizontal space, prioritizing solid shapes and clear silhouettes. Its rounded geometry and consistent weight suggest a goal of approachable strength—big, graphic forms that remain readable at a glance. The overall system looks optimized for display settings where presence matters more than typographic subtlety.

The typography maintains a strong, even rhythm across uppercase, lowercase, and numerals, creating a uniform “ink color” on the page. Curves stay smooth and full, while terminals and joins remain firm and simplified, reinforcing a sturdy, graphic texture in paragraphs and large lines of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸